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SUBJECT and OBJECT.

PHOTO RHINE RUHR

5 May - 16 Aug 2020

Kunsthalle Düsseldorf

Curated by Ralph Goertz with Gregor Jansen and Dana Bergmann

 

For the first time, the exhibition SUBJECT and OBJECT. PHOTO RHINE RUHR will examine the relationships between the different photographic positions that have developed in the cities of the Rhineland as well as the Ruhr and at the regions’ art academies since the 1960s. The exhibition also presents central positions from three generations as well as similarities and differences between the artistic approaches, with a focus on positions that have received less attention. Subject and Object. Photo Rhine Ruhr with about 100 artists and more than 600 works undertakes a dialogic and thought-provoking examination of this development for the first time.

 

"Never seen so much photography before"

Georg Imdahl, Frankfurter Allgemeine Zeitung

 

The Standard Los Angeles, 2000 © Candida Höfer / VG Bild-Kunst, Bonn 2020

 

"Feast for photography. An exhibition in Düsseldorf deals with

 photography from this region and poses exciting questions such as:

 Have there ever been objective photography?"

  Peter Backof, Deutschlandfunk

 

This unique approach is due to the fact that such a rich photography scene was able to develop in western Germany, which has repeatedly produced new and innovative artistic positions with sometimes very different photographic approaches over the past 70 years. According to the thesis, on the one hand this is due to the density of art academies and trade schools that developed in the Rhine and Ruhr regions after the Second World War. On the other hand, it is also a result of artistic socialization through an intensive art-historical discourse, parallel artistic developments within the visual arts, and the engagement with positions of international art that were shown at the major institutions in Düsseldorf, Essen, Cologne, Krefeld, and Mönchengladbach.

 

"Subject and Object. Foto Rhein Ruhr" was named "Best Exhibition" in the NRW Museum Survey 2020 by Welt am Sonntag.

 

Installation "Kinosaal"

 

An independent photo class was established in the 1970s at the Kunstakademie Düsseldorf with Bernd and Hilla Becher. At what is now the Folkwang University of the Arts in Essen, where a photo class led by Max Burchartz existed as early as the 1920s (parallel to the developments at the Bauhaus in Dessau), photography was once again taught as an independent specialization starting in 1959, initially under Otto Steinert. Thus, two of the most internationally influential schools of photography emerged in close proximity to each other in Germany.

 

"Sensational Photo Exhibition"

(Helga Meister, Westdeutsche Zeitung)

 

Thomas Ruff. L’Empereur_06, 1982. Aus der Serie: L’Empereur © Thomas Ruff / VG Bildkunst, Bonn 2020

 

In the vicinity of these two cities, there are further influential institutions with earlier art schools in Krefeld and Cologne in the 1960s and 1970s, where Arno Jansen served as head of the art and photography departments. In addition to the Folkwangschule in Essen and the Kunstakademie Düsseldorf, the Kunsthochschule für Medien, which was founded in the 1990s, is another important site for photography in Cologne, where Beate Gütschow has been teaching artistic photography since 2011, following Jürgen Klauke and Tobias Zielony.

 

"The Düsseldorf Academy is considered to be a pioneer in the development of photography as an art form. Now an exhibition shows: Pioneering work was not only done on the Rhine, but also on the Ruhr."

WELT, Christiane Hoffmans

 

Timm Rautert, Josef Steinhausen, 47 Jahre, Seine Totalität Jupp I., Prinz Karneval der Landeshauptstadt Düsseldorf , 1974

From the series "Germans in uniorms"

 

"A visual school for the curious who can enjoy the references and developments."

Helga Meister, Westdeutsche Zeitung

 

Knut Wolfgang Maron, Guckaisee, 1981 © Knut Wolfgang Maron

 

Many thanks to Helge Drafz from WDR TV for his first inside view during the setup!

 

Installation "Kinosaal"

 

The teachers’ works exhibit different perspectives on the medium of photography, especially in the artistic context. In Essen there was Otto Steinert with his approach of “subjective photography.” In Düsseldorf, Bernd and Hilla Becher, who followed a conceptual approach out of which a photographic practice developed that can also be seen in the tradition of the New Objectivity of the 1920s. In Cologne, in addition to Alfred Will, who was strongly oriented toward the ideas of the German Werkbund and initially trained as a graphic designer, there was Arno Jansen, who dealt with new artistic possibilities of the medium of photography in addition to the traditional genres such as portraits and still lifes. In Krefeld there was Detlef Orlopp, whose work explored abstraction and the process of recognition through the gaze in hyper-precise photographs. The extent to which teachers in the Rhineland and the Ruhr proclaimed their own artistic work and the subjective or objective photographic approach and thus shaped several generations of young photographers to this day will be discussed and highlighted in the exhibition.

 

Installation "Kinosaal"

 

The Bechers’ legendary class with now internationally celebrated “students” such as Andreas Gursky, Candida Höfer, Thomas Ruff, and Thomas Struth as the Düsseldorf School of Photography is one of the most successful movements in the history of photography. Graduates from Essen with Timm Rautert and Joachim Brohm are known and respected around the world for their documentary and artistic approaches. Jürgen Klauke, Astrid Klein, and Rudolf Bonvie developed independent artistic approaches in Cologne which dealt with issues of identity and gender beginning in the late 1960s. At the same time, Katharina Sieverding created her feminist-influenced art in Düsseldorf.

 

Installationsansicht "Empore"

 

For the first time central positions from all three generations as well as similarities and differences between the artistic approaches will be presented, but above all also positions that have received less attention will be featured and discussed in this context.

 

"Such a great photo art scene at the region of Rhine and Ruhr"

Stefan Lüddemann, Neue Osnabrücker Zeitung

 

Installationsansicht "Empore"

 

The Kunsthalle Düsseldorf hosted an exhibition by Bernd and Hilla Becher in 1969 under the title Anonymous Sculptures as well as a major solo exhibition with works by Andreas Gursky in 1998. Following in this tradition, and with a clear focus on artistic photography, SUBJECT and OBJECT. PHOTO RHINE RUHR explores the different fields of experimentation in the medium between subject and object.

 

Installation "Seitenlichtsaal", photo: Katja Illner

 

Since the 1920s, not only in Germany, a visually striking spirit of capturing reality through photography has emerged, in which the elementary questions about the significance and meaning of the supposedly real image continue to be asked—especially with regard to the emergence of digital photography and its possibilities for manipulating the real.

 

A catalog in German and English will be published alongside the exhibition.

Curated by Ralph Goertz with Gregor Jansen and Dana Bergmann

 

Real teamwork on planning the wall design

 

"The large-sized catalog is an excellent billow of an artistic era in Germany, which has not yet been given adequate consideration, with many quotes from sources. A black hole is closed. Must be seen!"

Klaus Honnef

 

The catalogue has been publishes by Koenig books

 

Artists:

Gosbert Adler, Alexander Basile, Lothar Baumgarten, Bernd & Hilla Becher, Max Beck, Boris Becker, Laurenz Berges, Eva Bertram, Anna + Bernhard Blume, Rudolf Bonvie, Natascha Borowsky, Wendelin Bottländer, Frank Breuer, Joachim Brohm, Ralf Brueck, Susanne Brügger, Louisa Clement, Volker Döhne, Sabine Dusend, Christine Erhard, Jan Paul Evers, Julian Faulhaber, Hans-Peter Feldmann, Annette Frick, Bernhard Fuchs, André Gelpke, Edith Glischke, Philipp Goldbach, Stefanie Grebe, Andreas Gursky, Willy Gursky, Beate Gütschow, Jitka Hanzlová, Volker Heinze, Katlen Hewel, Candida Höfer, Axel Hütte, Arno Jansen, Bernd Jansen, Irmel Kamp, Jürgen Klauke, Astrid Klein, Fatih Kurceren, Alwin Lay, Tamara Lorenz, Knut Wolfgang Maron, Meisterklasse Timm Rautert 2005 (Frank Berger, Viktoria Binschtok, Kristleifur Björnsson, Florian Ebner, Ulrich Gebert, Göran Gnaudschun, Falk Haberkorn, Sven Johne, Stephanie Kiwitt, Alexej Meschtschanow, Ricarda Roggan, Adrian Sauer, Dirk Scheidt, Linda Weiss, Tobias Zielony), Klaus Mettig, Peter Miller, Christopher Muller, Angela Neuke, Thomas Neumann, Simone Nieweg, Elisabeth Neudörfl, Detlef Orlopp, Peter Piller, Johannes Post, Timm Rautert, Max Regenberg, Johanna Reich, Heinrich Riebesehl, Sebastian Riemer, Andrea Robbins + Max Becher, Alexander Romey, Tata Ronkholz, Martin Rosswog, Thomas Ruff, Gregor Sailer, Jörg Sasse, Martina Sauter, Morgaine Schäfer, Michael Schmidt, Stefan Schneider, Berit Schneidereit, Ursula Schulz-Dornburg, Wilhelm Schürmann, Helmut Schweizer, Katharina Sieverding, Otto Steinert, Thomas Struth, Anett Stuth, Niklas Taleb, Peter Thomann, Anna Vogel, Walter Vogel, Malte Wandel, Moritz Wegwerth, Christoph Westermeier, Christopher Williams, Petra Wittmar, Lothar Wolleh, Martin Zellerhoff

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